Reimagining Desire: The Cultural Impact of NHK’s “Romance” and “VIVANT”

The NHK’s morning drama “らんまん (Romance)” concluded on September 29th to tremendous applause. Inspired by the legendary Japanese botanist Tomitaro Makino, the story chronicles protagonist Mantaro Makino and his devoted wife, Tsueko. Their journey to meticulously catalog Japanese flora, underscored by Tsueko’s unwavering support, has not only showcased their pristine love but also the diverse characters surrounding them. Amid the therapeutic tranquility of botany, the drama interwove directorial themes, the most potent being “人間の欲望 (Human Desire)”.

In episode 111, Mantaro’s dedication to plant cataloging sparks concern in his lifelong companion, Takeo. Mantaro’s resonating response, that he was racing against “human desire”, harks back to the trauma he witnessed in Taiwan during the Sino-Japanese War. The occupation imposed a linguistic erasure, barring the use of Taiwanese in naming plants. Mantaro’s poignant statement encapsulates the unchecked desires that escalate to tragedies like war.

The scriptwriter, Ikue Osada, revealed in an interview that the phrase “human desire” was a moment of inspiration from Kamiki. Looking back, “Romance” critically addresses the often self-centered race humans find themselves embroiled in. Mantaro’s interactions at the University of Tokyo shed light on the rampant…